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    GEAR 303 | Course Introduction and Application Information

    Course Name
    Clothes in the Movies
    Code
    Semester
    Theory
    (hour/week)
    Application/Lab
    (hour/week)
    Local Credits
    ECTS
    GEAR 303
    Fall/Spring
    2
    2
    3
    4

    Prerequisites
    None
    Course Language
    English
    Course Type
    Service Course
    Course Level
    First Cycle
    Mode of Delivery -
    Teaching Methods and Techniques of the Course -
    National Occupation Classification -
    Course Coordinator
    Course Lecturer(s)
    Assistant(s) -
    Course Objectives The aim of this course is to enable students to comprehend the relationship between fashion and cinema by means of films and readings and to acquire the necessary skills for analysis at academic level.
    Learning Outcomes
    #
    Content
    PC Sub
    * Contribution Level
    1
    2
    3
    4
    5
    1Will be able to describe different styles of clothing.
    2Will be able to analyze the narrative of a movie.
    3Will be able to define the period to which clothing refers.
    4Will be able to discuss the relationship between character and clothes.
    5Will be able to do presentations about clothes in movies.
    Course Description This course will provide an advanced level of knowledge in the cultural and artistic context of fashion. This course will consist of 3 thematically divided sections: a. films about the fashion industry; b. Films, clothing and identity, c. Films, clothing and storytelling.

     



    Course Category

    Core Courses
    Major Area Courses
    Supportive Courses
    Media and Management Skills Courses
    Transferable Skill Courses

     

    WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

    Week Subjects Related Preparation Learning Outcome
    1 Introduction
    2 Costume and Character: The Great Gatsby Reading: http://clothesonfilm.com/costume-in-the-great-gatsby-use-your-imagination/ http://clothesonfilm.com/martinprada-great-gatsby-collaboration-fashion-as-costume/
    3 Lecture on Costume and character and explanation of assignment
    4 Costume and Character: Elizabeth: The Golden Age, Shekhar Kapur,2007 Chapter 4, Laver, James, A Concise History of Fashion, Thames and Hudson, 1992
    5 Costume and Gender: Orlando, Sally Potter,1992 Chapter 4, Laver, James, A Concise History of Fashion, Thames and Hudson, 1992
    6 Costume and Gender: The Iron Lady, Phyllida Lloyd 2011 https://clothesonfilm.com/the-iron-lady-co stume-as-distinction-gender-and-protecti on/
    7 Costume and Time: Marie Antoinette Sophia Coppola 2006 http://costumevault.blogspot.com/2016/02/marie-antoinette-working-with.html http://costumevault.blogspot.com/2015/11/marie-antoinette-telling-story-through.html
    8 Costume and Time: The Grand Budapest Hotel, Wes Anderson,2014 https://clothesonfilm.com/the-wes-anderson-collection-the-grand-budapest-hotel/
    9 Costume and Time: Phantom Thread Chapter 10: Laver, James, History of Fashion, Thames and Hudson, 1992,p.252-292.
    10 Lecture on Subcultures and Style
    11 Costume and Subcultures: Funny Face Chapter 10: Laver, James, History of Fashion, Thames and Hudson, 1992,p.252-292.
    12 MIDTERM EXAM All movies and literature mentioned above, plus class discussions
    13 PRESENTATIONS Group work
    14 PRESENTATIONS Group work
    15 Semester Review
    16 Final project

     

    Course Notes/Textbooks

    Stella Bruzzi, Undressing cinema. Clothing and identity in the movies, London 1997.

    Laver, James, A Concise History of Fashion, Thames and Hudson, 1992, ISBN:0-500-20348-2

    Blog: www.clothesonfilm.com

    Suggested Readings/Materials

    Blog: www.clothesonfilm.com

     

    EVALUATION SYSTEM

    Semester Activities Number Weighting LO 1 LO 2 LO 3 LO 4 LO 5
    Participation
    Laboratory / Application
    Field Work
    Quizzes / Studio Critiques
    Portfolio
    Homework / Assignments
    1
    30
    Presentation / Jury
    Project
    1
    30
    Seminar / Workshop
    Oral Exams
    Midterm
    1
    40
    Final Exam
    Total

    Weighting of Semester Activities on the Final Grade
    4
    100
    Weighting of End-of-Semester Activities on the Final Grade
    Total

    ECTS / WORKLOAD TABLE

    Semester Activities Number Duration (Hours) Workload
    Theoretical Course Hours
    (Including exam week: 16 x total hours)
    16
    2
    32
    Laboratory / Application Hours
    (Including exam week: '.16.' x total hours)
    16
    2
    32
    Study Hours Out of Class
    10
    2
    20
    Field Work
    0
    Quizzes / Studio Critiques
    0
    Portfolio
    0
    Homework / Assignments
    1
    10
    10
    Presentation / Jury
    0
    Project
    1
    8
    8
    Seminar / Workshop
    0
    Oral Exam
    0
    Midterms
    1
    20
    20
    Final Exam
    0
        Total
    122

     

    COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP


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    #
    PC Sub Program Competencies/Outcomes
    * Contribution Level
    1
    2
    3
    4
    5

    *1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

     


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